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LEE JIANJUN

Speaking from the Statue of Merlion


 

 

The red line represents the movement of the new bridge
The blue line represents the movement of the old bridge
The white spot represents the statue of the Merlion

Dear Mr. XXX, member of the Congress of Singapore,

After reading your letter, I have the pleasure of expressing my grateful thanks for the trust and interest that you were kind enough to show for my research work.
How time flies! I hardly realize that almost three years have elapsed since I came to Singapore. Your country enjoys civilization, progress and prosperity which are an incessant driving force of my feelings of admiration and respect. In your letter you seemed to be worried about the present economic situation in Singapore when you wrote: "as generally accepted, if it is true that peace in a family depends on stability in a country, one has to particularly consider the peace issue in a period of crisis", and you asked me to express my thoughts. I am now replying to your kind invitation, and would like, if you do not mind, to develop my reasoning about this issue by mentioning the statue of the Merlion and all that it means to the people of Singapore.
Keeping with the internal logic of my research, I reckon that it is more judicious and objective, if one is to forecast the economic future of a country, to begin with an analysis of its symbolic imagery. This kind of approach has proved justified time and again in the results of my previous studies, whether it were my recommendations concerning the architectural location of the Chinese national flag in Tiananmen Square, or my long term forecasts of France's future inspired to me by what the Eiffel Tower embodies for France. Such an approach is therefore the basic principle of my research in this field.
Now, along these lines, I would like to analyze Singapore's overall economic climate and its future based on an interpretation of the transformations in the environmental conditions undergone by the statue of Merlion.
The statue situated at the mouth of the river Singapore stands facing the north and overlooking a wide and distant perspective flanked by government institutions on the left and financial institutions on the right. Its architectural shape, its colors, its dimensions, its splendor and its attitude all work towards inspiring Singapore's imagery and making it out to be a protective divinity in the minds of its people.
The Merlion was originally conceived only as a mere sculptural effigy intended to be part of urban decoration. Nobody expected it become, thanks to its posture and geographical location, an emblem symbolizing the imagery of this young republic. It has contributed to arousing spiritual energies and breathed life to the land of Singapore by enabling it to shine with full brilliance. Its role and actual impact have surpassed all imaginations. It has eventually epitomized the rapid economic development and the achievements in the construction of Singapore's high technology civilization.
During their visit to Singapore, a great deal of internationally renowned people practicing esotericism expressed their admiration for the statue of the Merlion. They agreed that there were vital links between Singapore's achievements in its efforts of development and this outstanding work of art. I had to make many investigations into the geographical and environmental conditions surrounding the Merlion. I first experienced a surge of wisdom expressed by the ground of the actual site where the statue is located. If one compares the shape of the territory of Singapore to a fan, it is easy to see that the statue stands exactly at the place of its pivot from which the influence cover the most propitious places of the territory. The two rods of the edge of the fan represent the two powers: financial and political. The whole judiciously conveys a structure of stability necessary to the smooth running of the country's judicial system and economy. Seen from the outside, the statue of the Merlion takes a position similar to that of an arrow on a bent bow. It constitutes the link between economics and politics, forming together a triangular shape of a bent bow and supporting each other. Whether one regards the country from the outside or the other way round, its structural shape always regains an ideal posture as is proper.
All those who are conversant with the history of development of Singapore know that the statue of the Merlion was conceived at a time when Singapore's economy was about to take off. In esoteric researches, one can often witness events happening on earth without there necessarily being an explicitly special motive from anyone, as if those events had occurred by chance and the venue of chances thanks to an imaginary divine will. I am convinced that when the idea to erect a statue of the Merlion was adopted in the first place, nobody was thinking of conducting geomancy surveys into the nature of the ground chosen or making comparisons between possible locations. So it is by mere chance that it was placed in a key position. By its outward appearance, it became a symbol of unity, progress, prosperity and determination of the state of Singapore and one of the main emblems of the country (adopted, for example, by the Singapore People's Association and by the Office of the Populations' Relations). From the point of view of its geographic situation - an arrow positioned on the bent bow, on the mouth of the Earth's breath and the fan's pivot - the statue has made an invaluable contribution in transforming Singapore into one of main tourist countries in Asia. All those traveling to Singapore are keen to take a picture of the statue to keep an unforgettable memory of their visit. Thanks to it the small country of Singapore, difficult to spot on the map of the world, gets to be known everywhere. Nowadays the name of Singapore has spread world-wide. When talking about Singapore, perhaps people do not know its national anthem or flag, but the first image that they conjure up in their memories is no doubt that of the Merlion. When two years ago, I saw road works and the site to build a new bridge in the vicinity of the statue, I had a premonition that it would cause disruptive variations in Singapore's economic development.
As everybody can see now, after the completion of the works, the Merlion no longer enjoys its past splendor. As regards the outward physiognomy, there is no longer the vast perspective. From the point of view of traditional esotericism, the view of good omen is barred and the good disposition stifled. Interpreted within the framework of the Science of Human system Engineering applied to the analysis of a country's future, this evolution is regarded as having a direct impact on the development and the economic stability, that is to say, it is likely to breed bother in the country's outlets abroad and nuisance at home.
So, what can be done to turn the situation around? In my opinion, it is urgent to transform weakening factors into favorable ones by finding some other ground onto which the statue can be relocated. This will enable its spirit to pick up and its miraculous energy to revive.
The relocation of the Merlion is one of the main methods liable to allow Singapore to get rid of the consequences of the financial crisis in South East Asia. It is a condition to achieve the goal set by the nation to make Singapore into an international finance and high-technology center, and a hub on which cultures and civilizations from East and West will meet and pass (in particular, in the field of information and Internet). If the choice of a new relocation site is right, the country is bound to get out of the present economic difficulties, and set off again on the way to progress and prosperity.

Dear Mr. XXX, the suggestions put forward above are just well-tried ideas resulting from my research. They come from a person who works in Singapore and loves it keenly. To be implemented, they need refining by more comprehensive and thorough studies. I wish that these ideas would be fruitful, and that they would arouse your comments and reflections.

Yours faithfully

Lee Jian Jun

(November 1998 in Singapore)



 


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